The streaming giant has been unable to disrupt the video game market, but armed with massive resources and time, its new push to level up could leave its competitors in the dust.



“Netflix has won the streaming wars. Case closed,” analyst Robert Fishman wrote in a MoffettNathanson report published Monday on the streamer’s recent earnings update. “But where does the company go from here? How much more runway for growth is ahead?”



Since November 2021, Netflix, which recently passed 300 million subscribers globally, has been trying to convince users, investors and developers alike that one of the answers to that question can be video games.



And it’s put real money behind that conviction. By fall 2023, according to widely cited reports, Netflix had spent $1 billion on gaming, buying up four smaller development studios and building two of its own in California and Helsinki, Finland, and publishing dozens of titles for mobile devices, including tower defense game&nbsp;Bloons TD&nbsp;and graphic adventure&nbsp;Oxenfree.



Analysts believe the company likely spent another $1 billion on gaming in 2024 alone, increasing its offering to 140 games made available to anyone with a Netflix subscription, all without ads or in-app microtransactions.



Traction in the gaming marketplace has been harder to come by. Netflix’s portfolio of mobile apps have recorded 192 million total downloads, according to data provider Apptopia, and daily active user counts hover around 1.1 million, each fractional compared to mobile publisher competitors and even smaller in relation to Netflix’s overall subscriber base.



“We’re not yet the Netflix of games,” said Netflix president of games Alain Tascan on Wednesday, presenting at the Game Developers Conference in San Francisco. “But that’s exactly where we’re headed.”



Tascan is a newcomer to the streaming giant, having joined the company last July and replacing its original games chief Mike Verdu a few months later. Under his leadership, Netflix is rethinking its gaming strategy, moving out of direct competition with large game developers and into a more supplemental role for its primary streaming offering.



Moving forward, Netflix Games will focus on the development of more games that can be played inside the Netflix app on connected smart TVs, where 70% of Netflix viewership already happens, utilizing phones as the controller via a mobile app. The company also wants to create casual party games that can “replace family game night,” and make more offerings for younger children, which Tascan says make up 15% of Netflix’s linear entertainment viewing hours. And it wants to build more “interactive experiences” that can extend the life of Netflix’s IP from popular homegrown shows and movies, as it has done with&nbsp;Squid Game&nbsp;and&nbsp;Too Hot To Handle.



That’s a far different strategy than the traditional idea of the “Netflix for games,” in which startups like Blacknut and Shadow, as well as tech giants such as Google (Stadia) and Apple (Arcade) and Microsoft (Xbox Game Pass), have built a cloud-based library of games that can be sold for a subscription. Google shut down Stadia in 2023, citing a lack of user interest. Apple and Microsoft have succeeded (on mobile and console, respectively), though primarily as a marketplace for third-party content rather than a home for original creations.



Netflix’s pivot also seems to remove it from the race to create the next blockbuster game like&nbsp;Fortnite&nbsp;or&nbsp;Call of Duty: Warzone, evidenced first in October by dozens of layoffs and the shuttering of its California studio, which was focused on bigger budget AAA game projects, before it had published a single title.



&#8220;[Netflix] shouldn&#8217;t be trying to be something they&#8217;re not,” says Jason Chapman, cofounder and managing partner of gaming venture fund Konvoy Ventures. ”They&#8217;re not a AAA content production house, but they should continue to lean into interactive.&#8221;



This evolution from linear, passive entertainment on Netflix to more interactive experiences makes a lot of sense, in theory. The $180 billion gaming industry now dwarfs the size of traditional Hollywood movies and television (estimated at $100 billion annually), and has become the preferred pastime for younger generations. As far back as 2019, Netflix co-CEO Ted Serandos cited&nbsp;Fortnite&nbsp;as its major competitor for user attention—no doubt one of the reasons the company hired Tascan, who worked previously as an executive at Epic Games on&nbsp;Fortnite.



However, Netflix’s early efforts at line-blurring interactive content—such as the headline-grabbing&nbsp;Black Mirror: Bandersnatch&nbsp;—did not catch on and in November the company announced it would be removing dozens of similar titles from its library entirely. (Bandersnatch&nbsp;is one of only four that remain.)



To date, Netflix has yet to create a game, or any game-like experience, that has captured and maintained the interest of the broader public over an extended time. Even&nbsp;Squid Game: Unleashed, which the company touts as one of its biggest success stories, hit six million downloads when it debuted in December, peaked at nearly 13 million downloads in January and then fell to 700,000 in February and just over 100,000 in March, according to Apptopia data. That game, notably, is the first not to require its players to have a Netflix subscription to play.



Netflix’s answer, in the short term, has been licensing. In December 2023, the company announced it would be offering three old&nbsp;Grand Theft Auto&nbsp;titles to anyone with a Netflix subscription, and to date,&nbsp;GTA: San Andreas&nbsp;has been its most downloaded and played game by far.



Internally, Netflix says it has its own set of criteria for games success, such as subscription acquisition and retention, and the ability to drive engagement back to its linear programming. With&nbsp;Squid Game: Unleashed, the developers experimented with a “watch along” feature that unlocked certain rewards for players who had viewed Seasons One and Two of the show.



&#8220;Those effects are relatively small currently, but frankly so was our investment in games relative to our overall content budget,” said Netflix co-CEO Greg Peters during the company’s earnings call in January. “And we&#8217;re going to stay disciplined about scaling that budget as we see continued scaling in member benefits.&#8221;



What Netflix Games has in its favor is the time and resources to experiment. The company grew its overall revenue by 16% in 2024, generating $10 billion in operating income and nearly $7 billion in free cash flow.



In MoffettNathanson’s recent analysis, it projected continued revenue growth, stronger margins and a higher stock price all without mentioning the gaming division once in the 26-page report.



&#8220;Do I think games are a core focus for them? Absolutely not,” says Chapman. “But this isn&#8217;t a throw away or a Hail Mary pass for them. They&#8217;ve put too much money into this.”



In the not-too-distant future, Chapman predicts Netflix will begin to implement monetization strategies such as in-app purchases and ads—drawing on lessons learned and infrastructure created by the company’s push into linear advertising in 2024—that would bring the viability of the games division into sharper focus. Until then, he says the company can afford to continue searching for its place in the market.



Tascan acknowledges that is a privileged position to be in amidst a games landscape that faced industry-wide layoffs, budget cuts and company closures in 2024. “I say sometimes to the team, ‘We have a golden ticket,’” he said. “What are we going to do with it?”

MainMenu_4K_30.12.2024_10-48-11

Can Netflix Become The Netflix Of Gaming?

<h2 class="wp-block-heading" id="h-topline">TOPLINE</h2>



Two unnamed players from Netflix’s “Squid Game: The Challenge” are threatening to sue the streaming giant and the game show’s producers over claims they experienced hypothermia and nerve damage while shooting the show, according to&nbsp;<a href="https://deadline.com/2023/11/squid-game-the-challenge-contestants-threaten-injury-lawsuit-1235635675/" target="_blank" rel="noreferrer noopener">Deadline</a>, which cited British personal injuries firm Express Solicitors.



<h2 class="wp-block-heading" id="h-key-facts">KEY FACTS</h2>



Express Solicitors said in a statement the contestants are seeking compensation for the alleged injuries suffered while filming in the U.K. early this year.



The injuries were allegedly sustained while the contestants played the “Red Light, Green Light” game, which tasks players with crossing a field of play and having to suddenly stop their advances anytime an announcer says “red light.”



Express Solicitors told Deadline the contestants were left with injuries “after spending time being stuck in painful stress positions in cold temperatures.”



The lawsuit threat comes several months after Netflix acknowledged that three players required medical attention while filming at a former Royal Air Force base in Bedford.



A spokesperson for the show confirmed to Deadline that no lawsuit has been filed by any of the contestants.



Express Solicitors did not immediately respond to Forbes’ request for comment.



<h2 class="wp-block-heading" id="h-big-number">BIG NUMBER</h2>



$4.56 million. That’s the cash prize for the show, which currently has five out of 10 episodes out on Netflix and will be won by one of its 456 contestants.



<h2 class="wp-block-heading" id="h-crucial-quote">CRUCIAL QUOTE</h2>



“We have sent letters of claim on behalf of contestants injured in this show,” Daniel Slade, chief executive officer at Express Solicitors, said in&nbsp;<a href="https://www.expresssolicitors.co.uk/blog/express-solicitors-in-the-news#news1" target="_blank" rel="noreferrer noopener">a statement</a>. “From what we’ve been told they pushed the boundaries of safety in the name of entertainment.”



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<h2 class="wp-block-heading" id="h-key-background">KEY BACKGROUND</h2>



The show’s contestants called out the show this year in an interview with&nbsp;<a href="https://variety.com/2023/tv/global/netflix-squid-game-reality-show-frozen-inhumane-welfare-1235511809/" target="_blank" rel="noreferrer noopener">Variety</a>, saying the shooting conditions were “absolutely inhumane and had nothing to do with the game.” Contestants weren’t paid to participate in the show and were reportedly told the shoot would take about two hours to complete, though some players participated for nearly seven hours. The shoot also took place during a cold snap in the U.K., when temperatures dropped to 32 degrees fahrenheit and contestants collapsed, according to Variety, which reported cold and fatigue had hit players who dealt with eight hours of prep time before the game started. The game show is based on the South Korean dystopian drama, Squid Game, which raked in&nbsp;<a href="https://www.cnet.com/culture/entertainment/netflix-squid-game-is-even-bigger-than-you-thought-2-billion-hours-big/" target="_blank" rel="noreferrer noopener">more than 1.5 billion&nbsp;</a>of streaming hours from users and became one of Netflix’s most popular shows of all time.



<h2 class="wp-block-heading" id="h-further-reading">FURTHER READING</h2>



<a href="https://deadline.com/2023/11/squid-game-the-challenge-contestants-threaten-injury-lawsuit-1235635675/" target="_blank" rel="noreferrer noopener">‘Squid Game: The Challenge’ Contestants Threaten Lawsuit After Claiming They Suffered Hypothermia &amp; Nerve Damage During Filming</a>&nbsp;(Deadline)



<a href="https://variety.com/2023/tv/global/netflix-squid-game-reality-show-frozen-inhumane-welfare-1235511809/" target="_blank" rel="noreferrer noopener">Inside Netflix’s ‘Squid Game’ Reality Show Disaster: ‘The Conditions Were Absolutely Inhumane’</a> (Variety)

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Can Netflix Become The Netflix Of Gaming?

‘Squid Game: The Challenge’ Players Threaten Netflix With Lawsuit Over Alleged Injuries