When Danai Gurira returned to the United States (U.S.) at the age of 19 from Zimbabwe, she was acutely aware that something was lacking in the way African stories were being told.



“This built up an outrage in me, so to speak, because I couldn’t see the African narrative told, in the United States, in a way that I felt portrayed us, in a way that was truthful, complex, full and humane… I saw that being allowed for the Western perspective, but not for our perspective,” she says.



Fast forward to 2024… It’s well after lunch in bustling New York City in the U.S. as Gurira logs on to Zoom for the interview, to reflect on her “strange geographical timeline”.



Born in the U.S., Gurira and her family moved back to Zimbabwe when she was fi ve years old. She then returned to attend school at Macalester College in Saint Paul, Minnesota’s capital city.



“When there was a perspective given for the African story, it was very much stereotyped; very one- to two-dimensional, and [it] fi lled me with more outrage,” Gurira tells FORBES AFRICA.



Her iconic role as General Okoye of the Dora Milaje in Marvel’s Academy Award-winning Black Panther, Black Panther: Wakanda Forever as well as her roles in Avengers: Infi nity War and Avengers: Endgame had a notable impact on the topic of representation of Africa in cinema.



Gurira recalls moments during the fi lming of the massive blockbuster, Black Panther, where everyone involved wanted to ensure they brought in “as much ‘African’ ” as possible to the entire production.



From language to consumption, everything was about “authentic representation”.


<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img loading="lazy" decoding="async" width="683" height="1024" src="https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-683x1024.jpeg" alt="" class="wp-image-63017" style="width:543px;height:auto" srcset="https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-683x1024.jpeg 683w, https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-200x300.jpeg 200w, https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-768x1152.jpeg 768w, https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-1024x1536.jpeg 1024w, https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-1366x2048.jpeg 1366w, https://cms.forbesafrica.com/wp-content/uploads/2024/09/GettyImages-1829750201-3-scaled.jpeg 1707w" sizes="auto, (max-width: 683px) 100vw, 683px" /><figcaption class="wp-element-caption">(Photo by Frazer Harrison/Getty Images)</figcaption></figure></div>


“The pressure was there inside of ourselves because, if you get a platform that big, you have to bring your authenticity to it. The irony is, some people would say – who I disagree with – ‘if you get a platform that big, make sure that it is palatable to everybody’. And I say, ‘if you get a platform that big, get as specifi c in your authenticity as possible because then people will have to celebrate the fact that this is a story we’ve never seen, and why aren’t we seeing more of them?’ ”



Crossing the cultural bridge continued into the second part of the Black Panther franchise, even as the cast and crew mourned the loss of cast member and “leader”, Chadwick Boseman, who passed away in 2020 after a four-year battle with colon cancer.



“We had the most horrible tragedy in losing Chadwick,” Gurira says. “There was pressure in that we wanted to make sure we were honoring him, and we were honoring the legacy that he had left in terms of how he so beautifully and brilliantly led us through the first one.



“But it was also about a lot of processing and grieving that we had to walk through together.” 



Before her work with Marvel, earlier on in her career, Gurira had learned the power of saying ‘no’, something she encourages emerging African artists to do as well.



After finishing her graduate training, Gurira was approached to do playwright workshops in New York.



In a 2012 interview with Marin Theatre, Gurira said that playwriting became “a necessity, being the mother of invention type thing” as she wanted to see and perform stories that reflect her people.



The workshops in The Big Apple were an opportunity for her, as an actor, to help other playwrights. But again, she noted that the portrayal of Africans was being done in an “infantile way”.



“I remember I was just really furious, and I had a school-mate who was at a play workshop with me, and he said, ‘you have to start saying no’.”



However, for Gurira, this meant fighting for the portrayal of Africans and African-Americans to be accurate and genuine, no matter the medium. During her time as a play-wright, Eclipsed was reportedly the first Broadway play to have an all-female cast, writer and director. To further the perspectives of African women in mainstream theater, her stage plays – which also include In the Continuum and The Convert – give a voice to the untold narratives.



As a writer, Gurira’s focus and mandate is clear, even when she is adapting books – it needs to be about creating a vision and authentically telling a story that advocates for Africa.



Some individuals have openly identified the problematic theme surrounding stories about the continent in that they either perpetuate stereotypical and harmful narratives about Africa or come across as inaccurate.



In a 2023 academic article by Stellenbosch University’s Rebecca Pointer, she states that while some studies have suggested that the stereotypical Western mainstream media narratives about Africa may be shifting, there are still some platforms where these stereotypes continue to repeated.



“Behind these stereotypes is the assumption that Africans are poor, lack agency, and they frequently experience famine, such that only interventions from Western development agencies can help turn things around,” Pointer wrote in her study titled Beyond western Afro-pessimism: The African narrative in African and non-western countries. “While the [current] data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom,” Pointer adds.



“I created my first play (In The Continuum) because I was tired of the statistics around African women and HIV,” Gurira explains.



“It, sort of, was taking us away from being our fullest and just being individuals. We were statistics. And I was like, ‘let’s create a character that is telling a story where the audience can’t ignore her reality, her real human’.”



Gurira carried this passion into her work on film.



Notably, and recently, she has received a nomination by the Black Reel Awards for Outstanding Writing in a Drama Series, for the fourth episode of the limited series The Walking Dead: The Ones Who Live, which is a spin-off to the popular horror-drama series, The Walking Dead.



The series reunites her character Michonne with co-star Andrew Lincoln, who plays Rick Grime, to continue the journey and their love story in six episodes. Although Gurira’s final season was in 2020, she, Lincoln, and writer Scott M. Gimple had always hoped to return and continue Michonne’s story.



“So this was us finally fulfilling that promise to the fan-base,” Gurira says.



“Did I plan to be in this massive television franchise back in 2012 when I got that job? No, I had no idea that was coming to me. But it then became a thing where I’m part of something global and extremely popular. “[And then coming back] the power of that, as an African woman, is that I was now in a very, very powerful position in this very well-known franchise as a co-creator, executive producer, writer, and the star of the show. And that then allowed me a certain degree of power and connection to a process that I didn’t have 12 years ago when I got the job.”



While the world celebrates the strides that Africa has taken, especially from the lucrative creative economy, Gurira believes that Africans need to take ownership of their stories.



“I think I’m more concerned with us seeing us than what the West decides about us. If we are unapologetic in who we are and how we tell our stories, they’ll have to pay attention. But I think that, at the end of the day, we have to not make them our first concern. Our first concern is our pursuit of excellence and our pursuit of our narratives.” Off screen, as an ambassador for Irish singer-songwriter and activist Paul David Hewson’s Bono ONE campaign, as the co-founder of Almasi Arts Alliance, which supports African drama artists, and as the founder of Love Our Girls, Gurira is dedicated to furthering gender equality and policy change. “Don’t dilute yourself, even if people have to spend two hours reading subtitles – don’t dilute yourself. Tell it from a truthful, authentic place. And it might take a long time to find the right partners who see your vision, but they will come and you will be proud of what you’ve done,” concludes the artist who has done Africa proud.

Screenshot 2024-09-05 at 12.29.44

Zimbabwean-American Actor-Playwright Danai Gurira: ‘Our First Concern Is The Pursuit Of Excellence And Our Narratives’

jpeeeggg

THE 100th ISSUE: 100 Innovations, Inventions & Icons From Africa

HIV/AIDS remains a global concern. International star and Zimbabwean playwright Danai Gurira is using her celebrity to battle for its elimination.



<hr class="wp-block-separator"/>



A superhero on the big screen and now a possible superhero
in real life, actor and playwright, Danai Gurira, is making it her mission to
join the fight against HIV/AIDS.



She is known for playing General Okoye in one of last year’s
biggest films, Black Panther, which grossed over a billion dollars worldwide.



The famous Zimbabwean says the fight against the epidemic
has been evident in her life ever since she was a little girl.



Recently appointed a United Nations Goodwill Ambassador, she chats to FORBES AFRICA about her work.



READ MORE | <a href="https://www.forbesafrica.com/woman/2019/02/18/danai-gurira-fully-feminine-and-fully-fierce%EF%BB%BF/" target="_blank" rel="noreferrer noopener" aria-label="Danai Gurira: ‘Fully Feminine And Fully Fierce’ (opens in a new tab)">Danai Gurira: ‘Fully Feminine And Fully Fierce’</a>﻿



On December 3, 2018, a day after the Global Citizen Festival
where Gurira made an appearance as a co-host to rapturous applause from an
audience of 75,000 in Johannesburg, we meet her at an HIV clinic on the
outskirts of the city in a township called Tembisa. It’s a trial clinic called
Imbokodo for testing a combination of two experimental vaccines to prevent HIV.




At the clinic, Gurira meets with a group of women heading
it, to discuss and learn how the trials work. 



One of the women, dressed in a pink blouse, responsible for
creating the trial vaccine, talks to Gurira about their work. Maria Grazia Pau
is the Senior Director, Compound Development Team Leader, for the HIV vaccine
programs at Janssen.



&nbsp;Pau has over 18 years
of experience in the field of viral vectors.



“We have seen responses in the body systemically when we
check the blood but also we have checked other studies, and we do see responses
there,” she tells Gurira.



Everyone in the room pays attention.



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">“The composition is complex, we want to protect from many different types of HIV because there are so many traits everywhere,” Pau says.</blockquote>



“Right,” Gurira nods attentively.



“It is the answer to elimination,” Gurira says.



The group of women join in the conversation.



They may just be on a breakthrough to finding an HIV
vaccine.



The study is being conducted by the HIV Vaccine Trials
Network, Janssen Vaccines &amp; Prevention B.V., part of the Janssen
Pharmaceutical Companies of Johnson &amp; Johnson, and all the participating
study clinics. 



These partners are working in collaboration with community
stakeholders to ensure this research is acceptable to the local community and
respectful of local cultures.



With 27 sites on the continent alone, they have clinics in
countries including Zambia, Malawi and Mozambique. 



Gurira has recently collaborated with them to help further
their research and spread awareness about the disease.



Gurira was born in the United States (US) and later moved to
Zimbabwe, when she was a young girl.



Growing up in Harare, she saw and heard a number of stories
relating to HIV that touched her deeply. 



The 1980s were a time when the disease had started spreading
globally.



“I can’t really extricate my upbringing from understanding
how this epidemic hit southern Africa and how it changed the tapestry of life,”
she says.



The stigma around the disease and how women were treated
were some of the issues that concerned her.



“Growing up, I witnessed how it was affecting, not only
cultural dynamics, but also exacerbating issues around gender dynamics and
various things that filled me with great passion,” she says.



“How women were dealing with a great amount of stigma in the
family; if HIV was in the homestead, the involvement of even in-laws and how
that was being interpreted –&nbsp; about faulting
a woman. [As well as] blame imposed upon women and the loss of a spouse and how
that would affect how a woman was treated post that time. So there were a lot
of things affecting me as I grew up and as I watched these things happen.”



&nbsp;It was those personal
experiences that shaped how she viewed HIV and the importance of eradicating
it.



It was later that she moved back to the US and pursued a
career in psychology and then a masters in Fine Arts.



How people perceived HIV there, was not what she expected.



“Coming to the US and seeing how the African was viewed as a statistic; I was seeing real people with real stories and experiences who were truly people who had aspirations and careers and had many things going for them that they were working towards.”



READ MORE | <a href="https://www.forbesafrica.com/arts/2019/02/11/2010-all-over-again-a-musical-extravaganza-to-honor-nelson-mandela/" target="_blank" rel="noreferrer noopener" aria-label="2010 all over again: a musical extravaganza to honor Nelson Mandela (opens in a new tab)">2010 all over again: a musical extravaganza to honor Nelson Mandela</a>



At the time, antiretroviral (ARV) therapy had not yet been
introduced and there was no way to manage it.



“It was such a death sentence at the time,” she says.



“And to come to the US to find that what we were dealing
with in southern Africa was statistical, that also gave a great amount of need
to bridge that very unfortunate disconnect between the actual human experience
of it and the value of people who were being affected by this… and how they
were being viewed.”



While there, she connected with some of her friends who did
field work around the issue while she was more focused on her advocacy in the
field of arts.



She married her advocacy for HIV with her passion for the
arts.



Gurira began writing plays in an effort to use her strengths
as an actor, and tell stories about issues she felt strongly about.



She co-wrote and co-starred in In the Continuum, a play
about HIV/AIDS from the perspective of a married Zimbabwean woman.



With this play, her aim was to break away from the
“statistical component of how the African is viewed often”.



In December 2011, In the Continuum commemorated World AIDS
Day. 



Little did she know that was the beginning of her activism
against HIV/AIDS.



The ‘golden age’ of HIV science



<div class="wp-block-image"><figure class="aligncenter"><img loading="lazy" decoding="async" width="411" height="603" src="https://www.forbesafrica.com/wp-content/uploads/2019/03/Danai4.png" alt="" class="wp-image-39618" srcset="https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai4.png 411w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai4-300x440.png 300w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai4-204x300.png 204w" sizes="auto, (max-width: 411px) 100vw, 411px" /><figcaption> Glenda Gray, a National Research Foundation A-rated scientist, CEO and President of the South African Medical Research Council. Picture: Motlabana Monnakgotla</figcaption></figure></div>



The same year, a woman in South Africa by the name of Dr
Glenda Gray, was elected into the US Institute of Medicine, National Academies,
as a foreign associate for her research on preventing HIV-infected mothers from
passing the virus to their newborns.



She is a National Research Foundation A-rated scientist, CEO
and President of the South African Medical Research Council (SAMRC).



She is a qualified paediatrician and clinician and
co-founder of the internationally recognized Perinatal HIV Research Unit in
Soweto, South Africa.







In December 2018 on the same day of the interview, Gray and
Gurira meet at the Imbokodo clinic.



Gray is one of the leaders of the trials at the clinic. 



“We are in a golden age in terms of HIV science and hopeful about making huge advancements in HIV vaccine developments,” she says.



Much like Gurira, Gray was also confronted with the epidemic
at a young age. 



“As a young doctor, I saw HIV explode in my face and imagine
if we can, in my medical career, go from the beginning of an epidemic to the
end of an epidemic; that would be an amazing feat to be part of the team that
finds an HIV vaccine.” 



What Gray has endeavored to do is to find an HIV vaccine
that protects women and in the future, children and adolescents as well.



READ MORE | <a href="https://www.forbesafrica.com/health/2019/02/18/what-does-it-mean-to-be-hiv-undetectable-or-to-have-a-suppressed-viral-load/" target="_blank" rel="noreferrer noopener" aria-label="What does it mean to be HIV-undetectable or to have a suppressed viral load? (opens in a new tab)">What does it mean to be HIV-undetectable or to have a suppressed viral load?</a>



“We definitely are not going to be able to treat ourselves
out of this epidemic if we don’t find potent biomedical interventions, we are
not going to be able to turn off the tap,” she says.



Gray has dealt with innumerable women affected by HIV.



“I am sick and tired of HIV and I am sick and tired of how
it devastates lives and I am sick and tired of how it impacts women in Africa,”
Glenda says.



Gray, together with Dr Paul Stoffels, who is the head of
research and development for Johnson &amp; Johnson, have been trying to prove
HIV vaccines work.



Stoffels and his team have been working with HIV for more
than 25 years, developing ARV medication.



The medication has evolved from many pills a day to one a
day, he says.



“We are working on new medicines to bring it to an injectable to once every day to once every month. But we can treat HIV patients but they need to be treated for the rest of their lives,” he says.



“People can have normal life expectancy and live normal
lives with medicine but we won’t be able to stop the epidemic if we don’t get
to a vaccine.”



<div class="wp-block-image"><figure class="aligncenter"><img loading="lazy" decoding="async" width="418" height="536" src="https://www.forbesafrica.com/wp-content/uploads/2019/03/Danai3.png" alt="" class="wp-image-39619" srcset="https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai3.png 418w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai3-300x385.png 300w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai3-234x300.png 234w" sizes="auto, (max-width: 418px) 100vw, 418px" /><figcaption> Dr Paul Stoffels, who is the head of research and development for Johnson &amp; Johnson. Picture: Motlabana Monnakgotla</figcaption></figure></div>



He says that the vaccine they have been working on has been
very active in animal models and they have now shifted to clinical trials in
humans to prove that it works.



“We are at a stage that we do the first efficacy study and
at the same time first we prove that it is safe and that it can be used by
people and then we prove that it is efficacious,” he says.



The people who become part of the vaccine study will be part
of the trial for years.



However, one of the challenges, he says they face is finding
people who are at risk to commit to being part of the long-term study.



Therefore, it is important to bring awareness to the public
about such studies being done.



“HIV prevention needs important people such as global stars
to step in and with Global Citizen, we had a perfect platform to be on the
global stage. And Danai is one of the people well known in Africa and she is
very committed to this objective and so we started collaborating with her to
bring the message of prevention, and also the message of importance of research
in getting to the HIV vaccines, in getting people to participate as well as to
stay on,” he says.



Other celebrities also known for the advocacy of HIV include
musician and actor Lady Gaga, musician Bono, television host Ellen DeGeneres
and musician Alicia Keys.



“What’s very important, I think, for a person like her
[Gurira] is to give the message of hope that one day we will be able to combat
the disease but at the same time, it is a message of ‘at this moment we need to
prevent’,” says Stoffels.



Gray agrees.



“She [Gurira] understands what it’s like to be a young
woman, she understands what it’s like to be a black young woman and how
difficult it is to navigate safe sex, masculinity, patriarchy and so she comes
with a lot of soul and insight.”



Eliminating the epidemic



After the release of In the Continuum, Gurira toured her play in South Africa and Zimbabwe.



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">“I met some courageous people on the ground at the front line of this epidemic.”</blockquote>



Through that, she was able to connect to a number of
organizations which she then got involved in.



“It not only allowed me to learn more but become more of a
vessel for advocacy and awareness,” Gurira says.



“It is really powerful to me that these women are here [at
the clinic] helming this study that could really eliminate this epidemic.



“There have been epidemics that have existed in past human
history that have been eliminated through vaccination and we could actually see
that come to pass. I am sitting on a site where this could come to pass for
HIV/AIDS, which is the epidemic of our time,” she says, hopeful.



“I’d like to see it eliminated.



“There are times when we tend to think that ‘oh HIV it is
being managed, and ARVs exist,’ and we forget that it is still a very active
fight.”



According to AVERT, an international HIV and AIDS charity,
in 2017, there were roughly 1.8 million new HIV infections, the same as in 2016
–&nbsp; about 5,000 new infections per day.



Therefore, Gurira says awareness is very important to avoid
the “issue fading in the background”.



<figure class="wp-block-image"><img loading="lazy" decoding="async" width="928" height="616" src="https://www.forbesafrica.com/wp-content/uploads/2019/03/Danai5.png" alt="" class="wp-image-39620" srcset="https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai5.png 928w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai5-300x199.png 300w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai5-600x398.png 600w, https://cms.forbesafrica.com/wp-content/uploads/2019/03/Danai5-768x510.png 768w" sizes="auto, (max-width: 928px) 100vw, 928px" /><figcaption>From left to right, Dr Paul Stoffels, Danai Gurira and Dr Glenda Gray. Picture: Supplied by Global Citizen</figcaption></figure>



Having been born in the US and being Zimbabwean, her fight
for HIV has become global.



&nbsp;Since her appointment
by the UN, she aims for a larger reach.



Gurira says despite women being the focus of her advocacy,
everyone, including men and boys, need to be a part of this fight.



“As Canadian Prime Minister [Justin] Trudeau recently said,
which I really appreciated, he called himself a feminist. He said, ‘I am a
feminist and to be feminist you believe in the equality of men and women and
you believe there is a lot of work to do to get to that place’.”



The fight against HIV continues to be a global phenomenon, but with more awareness raised and efforts from everyone, we could be one vaccine away from eliminating it.

Danai1

Danai Gurira: The Celluloid Warrior Fighting Against HIV

The film Black Panther  received critical acclaim worldwide.
Zimbabwean actor Danai Gurira from the film chats about the impact it has had
on her life.



January 29 marked the first anniversary since the release of the Black Panther movie.



Worldwide, it grossed more than $1.2 billion ranking as the
tenth top-grossing film of all time.



At the 2019 Golden Globes, which took place on January 6,
the movie was nominated for three awards and was rumoured to be nominated for
an Oscar, which will be hosted on February 25.



Danai Gurira, who plays the part of General Okoye,
represented a fierce and strong woman.



One of the most notable scenes in the movie was when she
took off her wig and used it as a weapon.



She chats to FORBES AFRICA about the impact the movie has
had on her life.



What did being part of a movie like Black Panther mean to you?



It was a really amazing experience to be a part of and, of
course, in my own work as a playwright and an actor, I’ve always been seeking
to give the voice of the African more of a global resonance and response
because I always wondered why we didn’t have that. 



So, the beauty of being a part of a project that did do that
and being able to play a character who was fully feminine and fully fierce and
unapologetic about it allowed me to really be a part of something I wanted to
see growing up. 



I had always yearned to see stories like that, with such
amazing characters I got to work with in that world, in an Africa un-colonized
and excellent and thriving. And it was really an amazing feeling to be a part
of that. 



Did you expect such a huge response from the global audience?



The response, I mean, we couldn’t have predicted that, but I think we were all excited. Peter, Chadwick [Boseman] and the people I got to work with were excited to see this pass; even if we weren’t part of it, we would have supported it. 



It has been a great experience to have and to know that people have had the response they had and we are just thankful.

danai

Danai Gurira: ‘Fully Feminine And Fully Fierce’﻿

It’s hard to believe Danai Gurira wields a sword for a living.
On the small screen, she’s Michonne, a swift zombie slayer in America’s current hit-television series The Walking Dead.
Off-screen however, seeing her perched comfortably in a corner of her hotel room, stirring honey into her tea on a wet Johannesburg morning, is a slightly odd experience.
This is because there’s no trace of that steely aggressiveness her character has in The Walking Dead. Her current choice of outfit, a gleaming fitted white dress and perfectly crimson lipstick, is also a far cry from Michonne’s dirty khakis and dreadlocks.
With a strong track record of stellar roles both on celluloid and television in America, Gurira is channeling her influence into investing in the arts in Zimbabwe. This is in the hope that her home country and the rest of the continent will start to do the same, with the African woman as the main beneficiary.
“The idea of telling African women stories was [me] responding to a call I felt needed to be done, that I had to do in the course of my life,” says Gurira.
“I had to do it in a way that was excellent and facilitated other people’s talents, gave stories to women who often don’t get to tell stories, and don’t get to be the lead in a story.”
<img loading="lazy" decoding="async" class="alignleft size-medium wp-image-6299" src="/wp-content/uploads/2017/05/Danai-Bio_0688-210x300.jpg" alt="" width="210" height="300" />
Despite being born in Iowa in the United States, Gurira calls Zimbabwe home, where she spent much of her younger life with her family until the age of 19. She then returned to America and enrolled at the Macalester College in Minnesota. Since graduating and now, at 36, Gurira has received critical acclaim for her acting, but what stands out is her playwriting. Her play In the Continuum alone garnered the Helen Hayes, Obie and Outer Critics Circle awards. Her 2012 play, The Convert, also scored her a nomination from the Los Angeles Drama Critics Circle Award for Best Writing.
“I always wanted to tell really powerful stories as an actor, but I will say there was something very powerful and interesting to me about being the creator of a story. When I get acting work, I go in, do it and it’s something I have been trained in. When I get a job I embrace it, but the thing that burdens me is getting the stories out,” she says.
It’s no surprise then that all of Gurira’s plays have the woman as the central character. This is from two women dealing with HIV in In the Continuum to abduction and sexual exploitation of women during wartime in Eclipsed.  These are harrowing and poignant women’s stories, intermingled with uncomfortable truths rarely talked about. Gurira nonetheless exposes them on stage.
“I have to get uncomfortable when I tell a story, and then I have to allow other people to get uncomfortable too. As a child growing up on the [African] continent, I will say I was raised in a home where I was allowed to be rather outspoken. I’m thankful I grew up in that environment,” says Gurira.
“I think that that sort of discomfort of letting girls be front and center in the stories I tell is a discomfort I want people to have. There are some discomforts I pursue, because I want that story to be told. That allows for people to start to really grapple with things, and then perchance progress towards healing. So I definitely pursue discomfort in the stories I tell.”
Investment in the arts is therefore crucial for the continent, where women dominate the informal sector.  According to a United Nations report, 84% of women nonagricultural workers were informally employed between 1999 and 2000 in sub-Saharan Africa, as opposed to 63% of nonagricultural male workers.
While women are at a clear disadvantage, the silver lining, according to the report, was that the lack of permanent employment pushed women towards self-employment.
Almasi, Gurira’s dramatic arts training organization in Zimbabwe, could be another platform that encourages self-investment.
It is however a fairly young organization, and will need more than just Gurira’s founding name to build its theater foundations.
“I felt there was stagnancy in [Zimbabwe’s] progress in this particular art form. Not music, not literature, just the dramatic arts.”
Arts funding in Zimbabwe, according to Gurira, has only been trickling in despite the country’s prolific literary works, from the likes of Shimmer Chinodya, Tsitsi Dangarembga and Cont Mhlanga.
With a new play on the cards, and her existing plays in the process of being dramatized in Malawi and Zambia, Gurira expects an interesting diasporic language to begin unfolding in the name of theater.
“I want Zimbabwe to have great literary work. Just like we have NoViolet Bulawayo and Tsitsi Dangarembga, we need more literary artists in the dramatic realm. I think the world is almost ready to hear our stories, and it’s a fertile moment for the African and the African woman to start taking the helm in terms of being a storyteller,” she says.

Tag: Danai Gurira

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FORBES AFRICA SOCIAL MEDIA

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